Don’t burn the CD: How these two stores challenge the disappearance of physical media

Show love to physical movies, music and video games when possible to disrupt the seeming end of CDs and physical copies of your favourite shows and artists.

By Julia Lawrence

Big box stores such as Best Buy are phasing out their DVD and Blu-ray sales, and in 2020, streaming services reached over one billion subscriptions, according to Motion Picture Associations. It leaves independent stores dedicated to the art of physical media with a decision to either follow with the times or adapt and live on.

Toronto’s Bay Street Video and Iceman Video Games’ Peterborough, Ont. location are two examples of how sellers have had to adapt to the ever-changing consumer viewing habits while never losing sight of their goals to share new and nostalgic materials.

Bay Street Video - 1172 Bay Street, Toronto

Bay Street Video recently had its 30th anniversary this past August, celebrating being one of the largest physical media collections in Toronto with DVDs, Blu-rays and more available to the public.

Manager Brendan Whelton said they have almost over 40,000 titles across DVDs, Blu-rays and 4K open to rent and roughly 15,000 titles in stock for sale across those formats.

“We have the entire history of film going back to the 1890s with 10 to 50 new releases every week,” Whelton explained. “We constantly joke about where we're gonna put it all, but we make it work. We've been a fixture of the Toronto film scene for a while.”

Bay Street Video gets a range of customers — from Toronto Metropolitan University and University of Toronto students who come for the student rental discount to clientele who are resistant to adapting to streaming or want to see a title that's not available online.

“Those people who don't have the patience to adapt to streaming because it's so complicated now. You need to get eight different services to have access to everything, which isn't everything,” Whelton said.

The store saw a big influx of rental memberships in June 2020, partially due to the pandemic, but Whelton shared that it he noticed a direct impact from Mad Men’s license expiring with Netflix.

“There was a bunch of people stuck at home who got into Mad Men during the pandemic and it wasn’t there anymore,” he said. “We got a bunch of people like, ‘What is the rental membership? How does that work? What do I need to do?’”

The feeling of your favourite show being discontinued and removed from streaming sites is not a pleasant experience. Whelton says a reason people have stuck and continue to revisit physical media is the nostalgia factor.

“People remember liking something and they want to be able to have a copy, to be able to show people is a very intimate thing to show something that you care about and to know that it'll always be there is very important,” he said.

Since taking over the manager role last year, Whelton hopes to push the store to make it more community-focused.

He wants to make it a “pride of place for local people,” as the store’s clientele has supported them through thick and thin.

“When no big new movies were coming out, rentals kept us going and when rentals have been down, sales have been up, that has been a cornerstone of our success.”

Iceman Video Games - 390 George St N, Peterborough, Ont.

Iceman Video Games has been around since 1992 having their start in Toronto. They now have moved to two physical locations in Lindsay, Ont. and Peterborough, Ont. where they sell new, used and retro video games and other memorabilia.

Peterborough manager Holly Butler says there has been a mixed increase and decrease of visitors that are marked before and after COVID-19.

“We would have midnight launches…for big releases, we’d have lineups out the door type for preorder events. Now we still have quite a few people that preorder, not nearly as it was 10 years ago,” Butler said.

With that, there was also a surge of people missing physical indoor shopping.

Butler added, “Once everything was opened up, we had so many people rushing in that missed just talking to another human being [while] doing their shopping. It wasn't like going to Amazon, one-click, add to cart, very impersonal.”

Butler noted that with the lack of consumers buying physical copies, developers have to rely on fair rights and ownership of their work.

“We're already seeing issues with that (losing games) because there are certain games where all of a sudden, there'll be a rights issue, either within the game itself or from the publishers and then the game gets pulled and you can't even play it anymore.”

A recent case of this was with the video game publishing platform Unity, which was going to backdate all games and input fees for downloads. Butler mentioned that it got to a point where small indie developers could not afford to have their games that were already published still available for sale. Unity has since backtracked this announcement after developers revolted against the letter.

As online gaming culture changes depending on publishers and developers, so does physical gaming. Butler shared that the culture of video game stores has shifted over the last several years, and people are unaware of what a person can come into the store for.

“People don't know you can buy and trade games anymore. A lot of people will be like, ‘Well, what's the point of buying a physical game?’ Well, you can trade it in when you're done with it. That's like the whole culture of a game store. You trade your games.”

She also stressed that some people don’t realize they carry new games.

“Because independent game stores are kind of niche, a lot of people if they think of game stores, they think maybe like EB Games, or getting their games on Amazon, and they don't realize that we as an independent can get new release games,” Butler said. “That's a big part of our businesses carrying new release games, and people assume that we were a used store and we don't have them.”

Iceman Video Games started its online store once the first COVID-19 lockdown hit Ontario, and the store had time on its hands. Butler said that they were in a “pickle” to figure out how to continue sales, and it gave them the time to finally open an online store, which they had been dreaming about for years but put off as it’s a lot of work.

She said, “We have like 1000s of games for our website, and it was going to take a lot of work. It pretty much took the entirety of the first lockdown for us to make a product listing for every single game that we have.”

As they are an independent store, Butler manages the site, and all the work is done in-house.

She adds new games which come out every month but mentioned that while it is a lot of work to maintain, it’s been great for the store.

“Maybe a game that we have a lot of in Peterborough, there's demand for it in Montreal, and so we might have been stuck with those copies here, but now since we have the website, we can cater to a different market,” she said. “It's been able to help us branch out into markets that we weren't able to reach before.”

Iceman Video Games and Bay Street Video are two cases of how physical media will never die as long as the clientele is there and so are the dedicated staff.

Giving voice to the voiceless: An interview with the writer and director of Red, White and Blue

A mother-daughter road trip has never been so devastating.

By Sarah Grishpul

Nazrin Choudhury’s directorial debut, Red, White and Blue, details the life of Rachel (Brittany Snow), a young, single mother living in Arkansas with her two children, as she is forced to travel across the states to receive proper medical care for an abortion. 

Despite being a predominately American film, the abortion issue has been heavily debated in Canada as well. The overturning of Roe v. Wade last year even fed into the rise of pro-life and anti-abortion groups in our country. It’s also important to point out that despite having decriminalized abortion in 1988, it is not a constitutional right and disparities in access to abortion procedures vary among provinces.

Coming from a female director with two daughters of her own, Choudhury takes such a delicate subject and, in presenting it through a feminist lens, gives voice to those who will ultimately bear the consequences of having politics dictate their reproductive rights.

The short film is shot with such precision and care. Its pale, grey and moody colour grading ties well with the serious, dark undertones of the atmosphere. Choudhury invites you into the lives of this mother and her family, seemingly guiding the audience through a familiar narrative, until the third act completely defies any preconceived expectations on how the story would unfold.

Currently on its festival circuit run, after showcasing the film at the Edmonton International Film Festival and winning the Grand Jury Award for Best Live Action Short, this now qualifies Red, White and Blue to be considered for an Oscar nomination.

CanCulture had the pleasure of speaking with Choudhury about her experience writing and directing the film. What follows is a condensed version of a nearly 40-minute interview, and for the sake of our audience - we’ve retracted all talk of spoilers. 

First off, let's get into what made you want to tell this kind of story in the first place.

I'm a storyteller. I look at the world around me and the characters that inhabit it and that kind of informs my storytelling. And I couldn’t stop listening to the news in the aftermath of [Roe v. Wade] and how it affected so many of us. 

And so I sat down to do the thing that I do, which is to write a story that builds bridges between people from different walks of life, and even different political views, to just understand the real-world consequences on people who might exist in your life, that you are not seeing. 

Through the medium of film, we can let a few peek behind the curtains at what this means for someone who's going through it in their lives and the untold burden that we placed upon them as a result.

That was beautifully said. I was also wondering what it was like working with Brittany Snow and the two child actors, Juliette (Donenfeld) and Redding (Munsell).

I'd seen so many shades of Brittany Snow as an actor playing vastly entertaining characters. But there was always a hidden depth to her that I could see.

I really had this instinctive belief and gut feeling that Brittany was going to be tremendous in this role, and to our surprise, she read it almost straight away and said “I wanna meet and talk to Nazrin,” and we met over the Christmas break while she was still wrapping up filming and going into post [production] on her own film.

I think she is such a talent that has been discovered that there is so much depth to her that means, I feel like this is going to be an odd thing to say, but it's almost like these new discoveries of her range and so on that you see in this film. She's every bit as good as any actor that I've ever admired and wanted to work with and she was so generous. And we were so lucky to find Juliet Donenfeld and Redding Munsell.

It was so amazing to watch as a filmmaker, you're bringing these strangers together, who’ve never met, and they are being asked immediately to become a family. The chemistry at the rehearsal was really just wonderful. Juliet plays so well as a big sister, the way that she shepherded Redding was amazing. Redding is like an old soul in a small being, just an amazing human being.

Just the fact that they came together as an on-screen family, but were really supporting and nurturing each other behind the scenes in the short amount of time we had, it really felt like a family. 

Yeah, I could really feel this family dynamic and they just had such great chemistry. I forgot that they were actors.

Even though it's a short film, I'm so appreciative that you say that you felt like they were a family because we wanted it to feel that way. But also the people who come in, we didn't want them to just be a plot device. Like the diner who opens up the pathway with the generous tip that she leaves for Rachel to go and do what she needs to do and go on this journey. All of these characters I hope feel very fully realized.

Most of the female characters in the film just help each other. It's such a beautiful thing to see on film, women supporting other women.

I made a very conscious decision not to have any male voices on this. You do not hear anyone, even the songs. It's all predominantly female voices, except for the young, unadulterated voice of Jake, played by Redding, because the idea is there that he's kind of an innocent child who's going to hopefully grow up to become an ally based on his mother and sister’s experiences.

But it's really important for me to have the voices on this be people who are, or who have been, or who might have been affected by the legislation that came down. It was time for us to speak about the things that affect us, and I think that isn't to say that we didn't have people who don't have reproductive organs and therefore reproductive rights, to consider working on this film, we did, they were allies, but hopefully, they'll understand the reason why I did that, that I'm starting to talk about now, even though I just kind of subliminally did that and no one necessarily noticed but me. 

I think it became more apparent in post [production] with my editor as I was like, “hey, can we adjust this jingle? Can we change it into a female voice, please? Let's get this re-recorded and put a female voice in because I want everything to be just female.”

Amazing, and back to the song, after that scene was done I had to pause the film just to look it up on my Spotify. I needed to add this to my playlist.

The voices that you hear, those are my daughters singing. 

Oh, no way!

Yeah! We recorded their vocals. They're both musicians and very creative. They have lots of strings to their bow, but they are high schoolers—or were at the time—and they’ve written music before, we didn't have time to write another track, but they re-recorded the vocals.

The fact that those are your daughters, that's amazing!

I just wanted them to be in this film in some way also as the people who I first pitched this idea to and said, “Hey, I think I'm gonna write this, what do you think?” and who have been my biggest supporters and who've lived through this with me more than anyone else.

Towards the end, the aspect ratio just starts to tighten and get more box-like. What was the reason behind this transition?

For me, just in terms of using technical devices it still lends itself to the storytelling. I don't think something has to do one thing, it can do multiple things. So, it's like a POV shift by the aspect ratio, as well as in that point, the shared memory that exists between them, and then the feeling of the walls closing in of what's to come and what they have to face, in addition to what has already been so egregiously faced.

Yeah, and I do like the whole dichotomy of it, where it's coming in tighter as you're realizing this new information that is making the whole picture a lot bigger for you, while at the same time, the borders are closing in. 

I'm so happy you said that and then you noticed it. I'm glad that Adam (Suschitzky, DP) and Phil (McLaughlin, Editor) will also feel very pleased that you picked up on that because there were some very clear storytelling intentions behind it.

This being your debut short film, were there any challenges or obstacles that you had to overcome?

I'm luckier than most in the sense of having worked in an established way in film and television. I was able to utilize all the network of relationships that I had to put this film into motion. I work on a show called Fear the Walking Dead that wrapped in December. And so I turned my attention to this film with the writer's strike coming and do I work and pay the bills, or do I basically put this film afoot because it feels so important for me to tell this story? 

And yes, it's a short film with high production values, so I had to beg, borrow and steal so many favours, but also from my kids' college funds, albeit with their blessing to make this and put this out there. It’s been a real labour of love with several challenges and we had a mainly great cast and crew who helped us to tell the story and gave their hearts and soul to this too.

Yeah, for sure. And now that your film is an Oscar-qualifying short—congratulations, by the way—what are the next steps for you?

I would love for this film to be seen by as many people as possible in as many states as possible. My wish and aspiration for this is that we give access to as many people who want to watch this as a stark contrast, ironically speaking to the lack of access that exists for healthcare itself. 

If you can't get access to healthcare, maybe at least you can access the film, which can then help us to have a dialogue and conversation about why some of these rollbacks are hurtful to characters like the ones in our short film.

The future of deepfakes isn’t memes – it’s nonconsensual porn: A review of Another Body

Filmmakers Sophie Compton and Reuben Hamlyn want to reclaim the online space for women in their new documentary on the misuse of deepfake technology.

By Sarah Grishpul

Imagine you received a message from a friend one day with a link to a porn site to which you discover that there are a bunch of pornographic videos with your face on them.

That is how directors Sophie Compton and Reuben Hamlyn’s documentary, Another Body, starts. In the film, we follow Taylor, a young college student whose life turns upside down after discovering someone has posted deepfake pornography, using her face, online.

Deepfakes are artificially generated footage created by running a large collection of images through AI software. 

While many people may have encountered deepfakes through memes or silly videos of Nicolas Cage on Arnold Schwarzenegger’s body, at least 96 per cent of this technology has been utilized for pornographic content. The majority of these victims are nonconsenting women.

The documentary is a slow-burn thriller that guides the viewer through a situation every modern young woman fears. There is a constant sense of unease and dread as we see Taylor close off from the world while more deepfake videos of her are posted. It’s heartbreaking to witness this youthful, carefree girl slowly become undone by such an act of hate.

Throughout this documentary, we follow Taylor’s journey as she works relentlessly to seek justice for this egregious invasion of privacy. However, as the film hammers home, most countries don’t have proper online harassment laws surrounding this new technology.

Even in Canada, there are no criminal deepfake laws in place. It is also difficult to punish the creators of pornographic deepfakes as the perpetrator is often hiding behind an anonymous online identity.

The documentary is shot similarly to most found-footage films (picture Aneesh Chaganty’s 2018 film Searching), with many scenes shot from Taylor’s phone or laptop while capturing her reactions in vlogs, Zoom meetings or through social media sites and forums. 

When initially developing the idea for this documentary, Compton and Hamlyn wanted to bring awareness to this growing issue that not many are aware of. In an interview with CanCulture, the pair discussed the ethics behind approaching Taylor and sharing her story without invading her space.

“By allowing her to self-record her story, she's the one who decides when the camera turns on and when the camera turns off, she decides when she wants to speak and when she doesn't and by sort of doing that, we provide her with control over how her story is told,” said Hamlyn. “It kind of makes her collaborator in the process more so than the junior typical documentary subject.”

Aside from giving Taylor control over her narrative, Hamlyn also mentioned that they wanted to reclaim the online platforms that had stripped so many women of their agency.

“We want to celebrate these online forms of communication and documentation, and so by recreating that in the style of the film, we're trying to put forward quite how powerful that can be as a mechanism of using your voice,” said Hamlyn.

The pair also utilized this AI tool to demonstrate how powerful this technology can be while also protecting Taylor’s identity, as it is revealed in the film that the face we’ve been staring at isn’t her actual face — but rather, a deepfake of another actress (Ava Breuer).

According to the filmmakers, deepfake technology isn’t inherently problematic. However, it becomes an issue when not used responsibly.

“They don't understand that this technology, when used to recreate a realistic-looking video, can be pretty much seamless,” said Compton. “And so by being able to use the technology in the film not just to protect our subjects, we also really can persuade the audience and clarify how terrifying the technology can be when misused.”

Compton and Hamlyn hope that this documentary will help bring awareness to this ongoing issue while destigmatizing the illusion of these online predators and addressing this kind of abuse and misogyny in our communities.

“The Internet is the most important public forum in human history, in my opinion, and the right answer is not to withdraw from it just to protect yourself from this,” said Hamlyn. “We need to find a way of making it safe for women to freely participate in online spaces.”

The documentary is part of their campaign #MyImageMyChoice meant to amplify the stories of survivors and advocate for stronger laws surrounding deepfake abuse. Compton says they started a petition to block these sites from promoting image abuse and email templates that people can send to political representatives.

“What we've really witnessed in Taylor's story is that if you persevere and keep investigating and reach out to people and find community, things can really shift,” said Compton.

“So, I hope that people sense the glimmer of opportunity and hope in that.”

Another Body will be playing at the Ted Rogers Hot Docs Cinema before streaming on CBC Gem on November 22nd.

Sci-fi Meets the Lovable Loser: A review of Relax, I’m from the Future

Relax, I’m from the Future reflects the best and worst of humanity in the funniest way possible

By Caleb Jackson

Caleb Jackson stands in front of a Relax, I'm from the Future poster at the Westdale theatre after travelling to Hamilton to a see a movie that was coming to Toronto the next day :,) (Sarah Grishpul/CanCulture)

Luke Higginson, CBC TV editor for Dragon’s Den and a Toronto Metropolitan University (TMU) film studies alumni, breaks into the world of directing with a bang in his debut indie feature Relax, I’m from the Future.

Self-described as a “dirtbag time travel comedy,” the film certainly delivers on all aspects of this sentiment. The original idea for the story is derived from Higginson’s short film of the same name, which was screened at the Toronto International Film Festival (TIFF) back in 2013. The homemade, youthful angst of the short film permeates throughout the movie, and it is great

"I thought it was funny to do a high sci-fi concept with people that were dirtbags that didn't have a strong moral code or a high place in society, and that dichotomy was always interesting and funny to me," said Higginson on how the movie came to be.

In an interview with CanCulture, Higginson said the movie simply couldn’t have been done without his time at TMU. Wango Films, a production company formed by people who also attended TMU around the time Higginson was there, picked up the film due to familiarity with him and his work. He had even edited their first film when they were fresh out of TMU film school. 

In the 2023 movie, a time traveller from the future named Casper (Rhys Darby) crash lands in 21st-century Hamilton (of all places) and slowly learns how to live old school with the help of local resident and punk incarnate Holly (Gabrielle Graham). He swears he has come back in time with a plan to save the world. But does he?

No. Not even remotely. All he wants is a chance to meet with one of his favourite comic artists named Percy (Julian Richings) before he commits suicide on a roof. He is a tragic element in the plot and his story parallels Vincent Van Gogh's, as he only achieves fame post-mortem. Casper plans to ask him his most burning questions and then watch him jump. Isn’t that nice? 

While comedy is clearly the main sticking point of the narrative, there are a lot of interesting themes of nihilism embedded throughout all of the characters and how the movie handles its sci-fi plot. This is seen most obviously in Percy, a man who works a dead-end job and has his walls plastered with his own political cartoons that depict the same superhero dying in many horrible ways. 

When asked about Percy’s characterization, Higginson said a lot of the nihilistic aspects of the plot happened like that because he was going through a major existential crisis while writing the film.

"I was able to sort of channel a lot of my sort of fears and anxieties about the future and about where we were sort of headed as a species and as a society into the script."

Despite these heavy themes, the film never takes itself too seriously. The viewer is constantly torn between being shocked by the terrible things the protagonists do and laughing at the absurdity of it all-- a quality Higginson told us he wanted to make sure was captured when casting these characters.

“The most important thing was that we needed someone who was inherently, extremely likeable - you have to sort of be on [Casper’s] side during a lot of this stuff, you have to still like him while he’s being a doofus,” said Higginson. 

It's honestly why the movie works as well as it does. Rhys Darby brings an addictingly charismatic dork energy to Casper that makes his selfish and arguably horrid actions easy to stomach.  It’s quite reminiscent of the characters in It’s Always Sunny in Philadelphia in that way. It’s a total and utter mess, but you just can not look away.

In comparison to Casper, Gabrielle Graham’s Holly has a lot more heart. Initially, she is just in it for the get-rich-quick scheme. But Holly works as a sort of grounding for Casper and his decision-making as her morals and self-confidence grow over time until she becomes the leader of a resistance movement to actually save the future. Able to bounce off of Rhys and steal a couple of scenes herself, Graham brings relatability to her role as the straight man and balances out the wackiness of the rest of the film.

“I was watching David Cronenberg’s Possessor and I saw [Gabrielle Graham] and I was like who is that? And then I was like, ‘Oh, she’s Canadian, she’s playing a character named Holly, this is a fucking sign!’” said Higginson.

The majority of the film is spent with quirky, questionable tomfoolery ensuing between Casper and Holly. They use Casper’s knowledge of the future to make Holly rich while Casper lives in the middle of the Ontario wilderness. He spends his time burying 21st-century items on land owned by a beautiful example of the Canadian hick (Zachary Bennett, the short film's original actor for Casper!)

The final act, however, feels somewhat rushed. The threads throughout the film start converging and wrapping up fairly quickly. Before you know it, the credits are rolling and the film is over.

Despite this, the movie stays consistently enjoyable to watch from start to finish. It utterly traps your attention with witty dialogue and absurd situations that keep you engaged for its entire runtime. 

With a soundtrack featuring, and cameo appearance by bitchin’ Canadian punk band PUP, a fun fast paced plot, frenetic editing and charmingly shady characters, the film creates an identity that is incredibly funny and certainly “dirtbag” in all of the best ways possible.

Relax, I’m from the Future will be available for on demand streaming in early November, so be sure to check it out!

8/10, would run as far away as I could if Casper were to ask for help after eating out of a dumpster in front of me.

The soundtrack of a story: Composing for film and television

Canadian film composer Tom Third speaks to CanCulture about the melodically magical nuances of being a composer 

By: Mariana Schuetze

A movie's soundtrack, whether we're actively looking out for it or subconsciously consuming it as it wallpapers the media, has the power to take us exactly where we should be. Behind almost every musical sound in a scene, there has been a discussion of where the audience should be taken by it. Should we be happy here? Sad? Is there more of the story coming? Building this roadmap and creating the pieces that move us is one of the jobs of a film and television composer. 

Tom Third is an award-winning Canadian composer. Working mostly on documentary and television scores, Third’s most recent works include BLK: An Origin Story and the fourth season of the series Coroner, both of which have earned him positive reviews, nominations and awards.

Third has always been invested in music, but his career didn’t start exactly in film scoring. He studied film and new media at The Ontario College of Art and Design, and after graduating, he was making electronic music. To make ends meet, Third started doing music for television commercials, blazing a path for himself into the industry. He moved on to working on short films and, later, longer features and television series, where he’s been since. 

Behind-the-scenes of composing

The role of a film or television composer is as dynamic as any, but the intricacies of the vocation too often go unventured.  Like any other freelance job in this industry, the work usually starts with a phone call or an email. "First thing you do is, you'll say, 'Yes, I'll do it,' then you hang up the phone, and you panic and go, 'can I really do this?'" said Third.

After that initial moment of panic, the planning and creation starts. Third says he usually has a meeting with the project's director and producers, and other creative heads, where they’ll discuss the idea for the film or show. Almost always, when a composer gets on board, there is something to look at, Third says. The next step in the process is usually watching some of the material together and beginning the idea-generation process.

"We take really specific notes about where the music's gonna go, and what it's gonna sound like. We might talk about the kinds of instruments, but we try and build kind of a roadmap of the whole thing, like a list of all the pieces of music that will be in it, which triggers a whole bunch of stuff, organizationally." 

Part of Third's job as a composer, creating original tracks for movies and television shows, is assembling a team when needed. After those initial meetings and coming up with the plan, Third will think about every piece they need to create and if they need to hire any other musicians to do it. "[We] will break it down and figure out what's going to be shot where and how do we combine things together to maximize our resources."

Third’s work also involves a back-and-forth between him and the project's creative leaders. He says that first, they'll let him go loose and "be really adventurous." That's when he'll try "a whole bunch of things," and starts figuring out what might sound best. Then, they'll put it against the moving pictures and talk about it. 

Although sometimes Third might be brought on earlier to the production, especially for films, composing usually comes in at the end. "It's a middle-to-end-ish kind of thing."

Sometimes it's even the last part of the process. "The actual mix, where they put the sound and the movie together and make it all sound great, that's very close to the last day of the film," Third tells. "When you go see Avatar at Christmas at the movie theatres, they probably did the sound mix two days before that. It's always right up to the deadline."

However stressful this tight deadline may be, there is a reason for it. Sound in movies and television is closely integrated with the picture and much of the dialogue. The timings are really precise, Third says. That’s why they usually have to wait until the end after all the reshoots and re-edits to finally add the magical touch of music and sound. 

The power of music! "Where do we want it to hit?"

Music is essential to tell a story in film and television. It's basically the heart of it, Third says. 

"Music has the magical powers, in my view, of somehow just really tapping into your brainstem and just bringing out all those emotions." 

In the end, Third's job is finely picking out which specific sound will bring out that emotion needed at every seemingly imperceptible point in a scene. 

"When I work on films, I'm given images to work with, not images in real life, but idealized images of what people experience, like the beautiful version of what that first date was like, or the best sunset I've ever seen… Then I think those idealized images, combined with music… and it just ups the ante and really makes [emotions] start to blow up," Third says. 

It's all about the feeling they want to unleash in the audience. And that's what Third's scoring will do in a project and why it's so intricately connected to the storytelling. That's where the discussion with the director and producers come in. "We talk about, like, "We want them to cry on this shot. Hey Tom, make it hit here.' and I'm like, 'Okay, let's try that.'" 

BLK: An Origin Story and Coroner

Working as a composer on an established television series versus a documentary can be slightly different. Third does both. 

For a documentary like BLK, Third says his work is more on the backseat, especially in terms of how the music integrates with the image. In this case, particularly because the production was done during COVID-19, the scheduling was a bit more complicated.  

BLK: An Origin Story is a four-part documentary series that explores untold stories of Black Canadians from the 1600s to the present. Rather than being the star, the soundtrack allows the stories to speak for themselves—and Third's work functions as a frame for the narrative.   

On the other hand, CBC's original series Coroner is a project Third has been involved with for years, so the process runs a bit more smoothly. In dramas like this show, music sometimes takes on a bigger role. 

Coroner is a procedural drama based on the best-selling series of books by M.R. Hall by the same name. The series follows a recently widowed coroner who investigates suspicious deaths in Toronto. In this series, Third's work really helps build the anticipation that comes with a mystery story and adds to the drama of the show. 

Unlike documentaries, where there usually is a lot of exposition, a drama can be conceived with music in mind, and less talking, making it all stand out.  "Sometimes, it feels like it's a little bit more poetic, in the way music can be used," Third says. 

Perks of the job

For both BLK and Coroner, Third earned nominations for this year's Canadian Screen Awards. BLK won all five awards it was nominated for, including Best Original Music, for Third's work. 

"Well, it feels it feels great. It really does. I'm not blase about it," Third says about his nominations and win. "It's a really fun honour. It's your peers. So it really does mean something."

This wasn't Third's first nomination, and he's also served on the jury of some awards too, and that's an exciting part of the job for him. "It's your friends' work, you know, that you're going to put forward. So we really take it seriously. So when you win it, the sense is that two people thought about it. It actually does mean something," he said. 

In fact, working with as many people as he has in this business is one of the reasons why Third keeps doing it. "Aside from all the music part of it, that's one of the best parts about it. And the longer I've done this, it's kind of [become] my favourite part." 

In this business, Third has found that working with compassionate and seasoned artists has been a gratifying experience. The experimenting and the constant challenging moments Third goes through while working on a project are also what keeps him motivated.  

"Why do I keep doing this job? It’s that loving relationship you have with your creative partners, where everybody is very forgiving of everyone else's missteps or experiments that didn't seem to work. And that's one of the things I think that makes it so intimate and so much fun." 

Constantly working with other creatives has another perk for Third: it allows him to grow creatively. "When I'm working on film or television projects, and there's a producer, and there's the network and all these other people involved, they're all pushing me further and further, creatively, like outside of my wheelhouse and into sort of new territory." 

It's always a new challenge, Third says. It makes the job "endlessly exciting." And as far as jobs go, making music for a living is Third’s dream. "You would do it for free, right? It's a passion project. I love to write music, I love playing music. So it's very easy to have a job where you get paid to do that."

And as for the future, Third says there are a bunch of new projects rolling in. Besides a top-secret film, which he can't really talk about, Third is also working on another documentary. "It's this pretty fantastic kind of social justice-style documentary, which is the kind I like to do best."

These jobs are going to keep Third busy well into the summer. And after that, new projects should be coming in as new opportunities for Third to stretch his creative muscles. 

"It's very fun. It's addictive. And every film is so different. Even if they're similar. They're so different. Every relationship is different. And none of the music I've written for any other film can get reused in the films I'm going to do next. Because they just do not fit."

A Q&A with the student creator of 'Vibe Check'

CanCulture spoke to a Toronto Metropolitan University student who’s creating his own show about the collectivity in youthfulness and queerness

By: Daniella Lopez

Vibe Check was produced by TMU students and filmed around locations in downtown Toronto (Daniella Lopez/CanCulture)

For his final thesis project, Don Qarlo Bernardino, a fourth-year media production student at Toronto Metropolitan University (TMU), spent the entirety of 2022 creating his baby: a TV series pilot titled Vibe Check.

Vibe Check follows four queer, Asian, BIPOC students who move into a communal home together in downtown Toronto and find family in one another.

In early November, the show went into production where they spent 12 days filming. I sat down with Bernardino to find out more about the show, his experience making it and the lessons he wants viewers to take away from it.

Please note, this interview has been edited for length and clarity.

What inspired you to create the show?

The show has been a passion project of mine for more than a year. I’ve always been interested in writing stories, and I think with the medium of television, there’s a lot that you can do to tell different, diverse, interesting stories.

I've always been passionate about Filipino, queer and Asian representation. I’ve always sought after shows that have that sort of representation, but I never saw it from a Filipino, queer perspective, so I wanted to create a show that was all about [gen-Z] that was just unapologetically queer.

Why did you name it Vibe Check?

As a writer, the hardest thing for me is creating a title because that’s your brand. I was searching up what represents gen-Z culture, and I was like, “What is slang that represents us that can also be catchy? Why don’t I say something about vibes?” When you meet someone, the most gen-Z thing to say is, “do they pass the vibe check?” That’s the whole idea of the show, and it stuck.

What was the process of writing the script like?

Creating the script was a whole process. I was the sole writer; I wrote the entire script. It was over 30 pages.

Because it’s a pilot script, there’s a lot of pressure and expectations that I put on myself to incorporate everything. I’ve had some of these scenes that you see in the show in my mind for a long time, but actually connecting them into a story and seeing how it shifts and evolves was really fascinating. A lot of the characters were also very personal to me as well, so it was a very vulnerable script. From the script all the way to production, it became more and more surreal.

You just finished production. What was that whole experience like?

Production was [wild] because I managed five roles — I was the sole writer, director and star of the show. I cast the whole production and I also helped with producing. A lot of us on set were just students who didn’t have a lot of experience, so there were people still learning.

The location we ended up filming in was my personal dorm, so it became more surreal because it was a story that reflected my life. The [main] character is a messier version of me, so his room has to be messy at all times — so my room stayed messy for a long time.

I’m still processing it, and to this day, it’s an experience I’ll never forget. Regardless of the difficulties, this production was so fun. My crew was so committed and dedicated to showing up on set, helping out and working together as a team.

Do you have a favourite scene that you shot or starred in?

There’s so many that I absolutely loved. My favourite scene that we shot was a party scene. Jessa [one of the main characters] runs into her ex-boyfriend at the party and he tries to get her back. They have this argument, and she realizes this guy is not worth it. It’s a really funny scene of a toxic, straight high school relationship that never worked out. 

Image via VibeCheck Instagram, captioned: “We think day ten might’ve been the best one yet.”

There’s a scene of David and Jacob [two of the main characters] eating Filipino food and walking down an outdoor plaza, which was really beautifully filmed, and it just showed queer male friendship.

There’s a really funny hookup scene that’s at the beginning of the show, where [my character] tries to hook up with someone, but it goes terribly wrong.

Those all sound so much fun! Is there anything you want viewers to gain from watching the show?

I want to inspire people to show that we can tell diverse stories in media and in television. It is possible to have proper representation, to cast authentically and to write stories that are authentic.

And in terms of queer representation, I was never interested in the coming out storyline because … it’s either about them struggling with their sexuality or being a cheesy romance story or extremely tragic. This is a story about queer people right in the middle. It’s made by and for queer BIPOC people. The message I want audiences to take is that we can see ourselves represented if we just try because we did.

That’s awesome, I’m so excited for it. Finally, when is it coming out?

That’s a question I get all the time, and it’s putting more and more pressure. By [December], we’re going to release a trailer. After post-production is done, we’re going to see which theatre we can show this project in. I’ll continue working on it to make it even better for next semester. We just want to bring everyone together to show the hard work that we did. 

VIBE CHECK

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VIBE CHECK 〰️

Canada's Drag Race is putting Canadian queens on the map

True, north, strong and fierce! 

By: Zoie Karagiannis

(Ish Chopra/CanCulture)

Canada’s Drag Race is a cultural phenomenon, and while it contains all the qualities you love from RuPaul’s Drag Race, it is branded specifically for a Canadian audience, putting a northern twist on a beloved franchise.

RuPaul’s Drag Race is an incredibly important queer show on television today, and has been a catalyst for sparking important conversations about issues that impact the LGBTQ+ community. In my opinion, the Drag Race franchise plays a big role in introducing drag queens into popular culture, resulting in a mainstream audience across the country.

The Drag Race franchise has grown internationally, with versions in The United Kingdom, Australia and New Zealand, Thailand, Spain and, of course, Canada!

Canada’s Drag Race premiered in July 2020 and has since amassed a large following. With three seasons of production under its belt, the show features 12 of Canada’s most sickening drag queens competing for the title of Canada’s Next Drag Superstar, as well as a grand prize of $100,000. While the concept of the show is similarly formatted to the American version, viewers get to experience Canadian charisma, uniqueness, nerve and talent. 

We are gifted with Drag Race’s classic puns and wordplay — but this time, they made it Canadian! In the first season, episode titles such as Eh-laganza Eh-xtravaganza and Not Sorry Aboot It made an appearance. For the very first main challenge, queens were assigned to make outfits using Canadian-inspired material boxes. The moment I saw the themes of this design challenge — some of which included “Man of Green Gay-bles,” “Yukon Gold Digger,” and “Muskokurrr” — I knew Canada’s Drag Race would be a new favourite of mine. 

Through these subtle tributes to Canada, the production makes it a point to nod to fun universally-acknowledged Canadian cliches, which is something I love. There’s a reason it has already won 11 Canadian Screen Awards, including five awards in its first season and six in its second.. Especially as the Drag Race franchise has such a global audience, it is my hope that other viewers outside of Canada become more informed about Canadian culture through this show.

There is one notable difference between the Canadian production and RuPaul’s Drag Race is the judging situation: there’s no RuPaul! Of its English-speaking counterparts (RuPaul’s Drag Race, RuPaul's Drag Race UK and RuPaul’s Drag Race Down Under), Canada’s Drag Race is the only show not to feature Supermodel of the World RuPaul Charles or Michelle Visage, Mama Ru’s dear friend. Both RuPaul and Visage have been central to the heart of the show and the brand, so as a fan of the franchise, I was admittedly disappointed they did not offer their judging skills to Canada. 

However, it's been great having Canadian judges and guest stars featured on the show. While the judges panel has shifted and changed in the three seasons, there is one ever-constant presence: our very own Queen of the North, Brooke Lynn Hytes! 

The Canadian host and drag icon was a competitor on RuPaul’s Drag Race Season 11. She is a proud Torontonian and the first Canadian to be featured in the franchise. I remember being so in awe of her talent as a competitor, as she was such a polished show queen. Her Lip Sync For Your Life against fellow Season 11 drag queen Yvie Oddly will forever be one of my favourite Drag Race moments, and it’s been such a treat to have her host Canada’s Drag Race. 

Traditionally, RuPaul is the one who makes any final decisions when it comes to eliminations and winners on his show, but on Canada’s Drag Race, it’s a true drag democracy. All judges get a vote on who stays, and who sashays away. 

Other long-time viewers of the show are just as hyped about this Canadian spin-off as I am. Evelyn Young, a fourth-year media, information and technoculture student at the University of Western Ontario, has been a dedicated fan of Drag Race. She has followed the American version for years, and has also watched RuPaul's Drag Race UK and RuPaul’s Drag Race Down Under. 

“I was very excited to hear that Canada was getting its own version of Drag Race. It came out during the pandemic, and it was a fun show to look forward to watching while in lockdown,” she said. “I love the silliness and the camp aspects of the show.”

Young is grateful to see Canadian drag showcased with talent from all across the country. “I think it's super cool to have queens from smaller towns or provinces that are not as well known for drag to be seen.”

Our country is diverse, and Canada’s Drag Race does a great job of reflecting that in their casting of queens on-screen. The show features plenty of queer BIPOC representation, along with queens of various body types; from two-spirit Indigenous queens to non-binary identifying queens, the show includes contestants from various underrepresented communities.

“French-Canadian queens are very unique to our country and it's interesting to see them perform,” Young added. “In addition, we have many Indigenous drag queens, and to see their unique styles of drag and how they incorporate their culture is also very special to Canada.” 

Canada’s Drag Race is bursting with talent, and it's here to make its mark on the global drag scene. Worlds collide when Canadian queens compete against other Drag Race icons, when Canada’s Drag Race: Canada vs The World premieres on Crave on Nov. 18.

LGBTQ+ characters that made queer history

Canada still has a long way to go in terms of representation on screen, but these queer characters are walking media down the right track

By: Rojhin Taebi

David Rose from Schitt’s Creek quickly flourished into a icon for queer people everywhere (Graphic by Sama Nemat Allah)

Queer communities have rarely had any solid representation on Canadian television or film. Whether they be entirely absent or hidden in carefully coded characters and themes, queerness doesn’t see the limelight nearly as often as it should. But in this article, we look back at eight queer characters and how their stories have impacted how we see queer identities in Canadian media today. CanCulture advises anyone who is interested in viewing these films to always check for trigger warnings beforehand. 

David Rose - Schitt's Creek

Our top pick – which won’t surprise you – is Canadian actor Daniel Levy’s character, David Rose, from the appraised Canadian sitcom, Schitt’s Creek (2015-2020). Rose comes out as pansexual in season 1, episode 10 with the iconic line, “I like the wine, not the label.” Rose ends the show happily married to his business-partner-turned-romantic partner Patrick Brewer (Noah Reid) and stays in the rural Ontario town of Schitt's Creek that he eventually grew to love. 

On queer representation in the show, Levy stated in a 2018 interview with Vulture, that homophobia would “never infiltrate Schitt’s Creek.” The show’s small-town community instead showed “love and tolerance,” towards David Rose as he became a permanent part of their community

Llewelyn Watts - Murdoch Mysteries 

Murdoch Mysteries (2008 - present) has spanned 16 seasons, but it wasn’t until the introduction of Saskatchewanian, Daniel Maslany’s neurodivergent-coded character in season 10 that the beloved series shook off the tired “bury the gays” trope. Llewelyn Watts’ conflict with both his Jewish identity and his sexuality adds great depth to his character, whose eccentricities bring joy to any viewer.

The show illustrates the treatment of queer folks in early-1900s Canada–a time and space that was seldom conducive to safety for marginalized communities at large. This leads a heartbroken Watts to seek out “correctional treatment” for his homosexuality until he finds an accepting community of other “confirmed bachelors,” as well as allies in his friends and colleagues. 

Fans appreciate the historical accuracy of the time, as well as how the writers are hinting at a happy ending for the character.

Sarah Manning, Cosima Niehaus, Tony Sawicki, Felix Dawkin - Orphan Black

Orphan Black (2013-2017) is a hit Canadian thriller television series about illegal human cloning that has been praised for its multiple queer-identifying characters. Sarah Manning, a bisexual or pansexual, Cosima Niehaus, a lesbian, and Tony Sawicki, a trans man—all played by Canadian actress Tatiana Maslany. The nuanced characters are loved by fans who feel the show understood that sexuality is only one important aspect of a whole individual.

In a 2014 interview with Entertainment Weekly, actor Jordan Gavaris, who plays Felix Dawkin, a gay artist and sex worker on the show, stated that they “take that [positive queer rep] really seriously and it’s something we’re really proud to do as a show. We have a social responsibility to be inclusive.”

Laurence Alia - Laurence Anyways

French-Canadian filmmaker Xavier Dolan is revered among young filmmakers—queer and otherwise— for his breathtaking films on the human experience, which often centre the queer experience. Laurance Anyways (2012) is a film about novelist Laurence Alia, a newly-out lesbian transwoman in her mid-thirties, played by cis actor, Melvil Poupaud. 

We follow her relationship with her lover, Fred Bellair (Suzanne Clément) which spans over a decade. The film begins with Alia coming out to Bellair and facing rejection, which is soon reconciled as Bellair becomes an affirming partner, encouraging Alia to dress femininely and learn how to apply makeup. The conflicts of prejudice and life separate and reunite the couple.

The film received international acclaim for compassionately depicting Alia’s complex but beautiful trans identity. 

Zachary Beaulieu - C.R.A.Z.Y

C.R.A.Z.Y. (2005) is a French-Canadian coming-of-age drama film that follows Zachary Beaulieu (Marc-André Grondin) as he navigates his Christian household and gay identity as a teenager, then adult, in the ‘60s and ‘70s in Quebec. The film centres on Beaulieu’s relationship with his homophobic father and brothers who reject Beaulieu’s sensitive nature, causing him to date women and stay in the closet for years until they reach reconciliation. Meanwhile, he uses wild, punk styles to express himself while listening to the great music hits of the era, including David Bowie, Pink Floyd and The Rolling Stones. 

Zachary Beaulieu’s heartfelt and often comedically-sound story reached the heart of Canadians and international audiences upon release and, in 2015, Toronto International Film Festival critics ranked it among the Top 10 Canadian Films of All Time.

Pauline “Paulie” - Lost and Delirious

Lost and Delirious is a 2001 Canadian drama film and one of many lesbian tragedy films that circulated in the early 2000s. The film is set in Toronto, Ontario, and follows the romantic relationship of two teenage girls, Pauline “Paulie” (Piper Perabo) and Victoria “Tori” (Jessica Paré) at an all-girls boarding school. As their relationship deepens, Paulie experiences internalized homophobia and denies her sexuality. Feeling pressured by her homophobic family, Tori begins dating a boy, causing a heartbroken Paulie to spiral into destructive behaviours.

The film’s tragic ending is shocking when compared to the more positive queer representation we have the privilege of enjoying today. Paulie’s story should serve as a reminder of the value of good representation and access to LGBTQ+ resources that can help young people explore their sexuality in a safe and affirming way. 

Clint Star - Deep Inside Clint Star (1999)

The late Métis filmmaker and actor, Clint Alberta, portrays Clint Star, a pornographic actor who interviews his Métis community in Toronto. The documentary film works as a first-person video essay on how Indigenous youth view their “radical” sexuality, love and pain — and how those radical parts of life intertwine with their Indigenous identity amid centuries of abuse and oppression. The representation of sacred queer identities was well-received by Indigenous audiences, and the film serves as an inspiration for many young Indigenous filmmakers today. 

Doug Harris - Winter Kept Us Warm (1965)

This comical yet tender film tells the story of upperclassman Doug Harris, played by John Longbow). Director, David Secter uses his own experience to create a tribute to the common gay experience of realising same-sex attraction to a friend. The story takes place at the University of Toronto in the winter time, following Harris as he develops feelings for outsider underclassman, Peter Saridan, played by Henry Tarvainen. The carefully coded homoerotic subtext was crucial to the overall film, as it would be another four years until homosexuality was decriminalised in Canada, and even longer before Canadian filmmakers would get the recognition they deserve. Even the actors didn’t realize they were making a gay love story until years later

Harris and Saridan’s story is laced with boyish antics and a deep bond between the men. Jealousy reminds the viewers of the titular poem by E.S Elliot and that April is, indeed, the cruellest month. As new, queer Canadian films and filmmakers make their debut, Secter’s film should serve as a gentle reminder of the power and allure of a subtle embrace in wintertime.

Iconic movie and TV characters played by Canadians to recreate this Halloween

If you haven't picked your Halloween costume for this year yet, here’s a list of characters notorious for their unique style.

By: Anna Maria Moubayed

(Abby Grant / CanCulture)

(Abby Grant / CanCulture)

As Halloween slowly begins to approach, many people go through their existing wardrobe to put together a fun costume, while others start hunting for costume ideas and clothing pieces. Either way, you’re in luck! This article has a list of Canadian actors from movies and TV shows, with roles that put them on the map.

1. Catherine O’Hara

This Canadian actress, comedian, and writer was a central character in the classic holiday film Home Alone. All you need to be Kevin’s mom is a beige coat, a white shirt, a scarf to protect you from the winter cold, a pair of gold earrings, and a worried look on your face. Walk around town looking for your son, screaming “Kevin!” and people are sure to recognize you as one of the best movie moms of all time.

Alternatively, grab whatever obnoxious item you can find around the house and turn it into “designer clothing” to fully embody O’Hara’s famous Moira Rose character from the Canadian TV show Schitt's Creek. This can span anywhere from a tablecloth with a belt to your pet as a headpiece. Of course, pay close attention to the wig you choose to match the outfit and your mood. Most importantly, don’t forget the red lipstick.

2. Eugene Levy

If you want to have a cute couple’s costume, here’s an idea: Moira’s character is only complete with her husband, Johnny Rose, who was played by Canadian actor, comedian, producer, director and writer Eugene Levy. Put on your best suit, borrow your dad’s best handkerchief and add some flour into your hair to get that iconic “silver fox” look. Now all you have to do is buy a town for your son.

3. Matthew Perry

Matthew Perry is a Canadian-American actor, executive producer, and comedian. He is best known for his role as Chandler Bing in the TV series Friends. Practice your jokes, sarcastic remarks, and stressing the wrong words in a sentence. All you need for his look is a shirt, your dad’s vest, and maybe a funky tie.

4. Jim Carrey

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The famous actor, comedian, writer, and producer is known for his energetic performances, making sure you’ll be the life of the party. With his long list of movie and TV show characters, you have many options. Let’s focus on three movie characters that would make great Halloween costumes.

Stanley Ipkiss, his character from The Mask will require you to drink a lot of coffee to match his energy. Other than that, all you will need is a green mask or face paint and a dashing yellow suit.

Be your natural self dressing up as Lloyd Christmas, Carrey’s character from the movie Dumb and Dumber. Wear your most comfortable clothes, get the bowl cut, and add in a tooth gap. All that’s left is your partner in crime and your dog-shaped mode of transportation.

Alternatively, grab your craziest pair of pants, along with your craziest shirt, and maybe a fluffy pink tutu to replicate another one of his famous characters: Ace Ventura from the movie Ace Ventura: Pet Detective. Perhaps the most important part of this costume will be getting the hair just right, so make sure you stock up on a lot of hair gel.

5. Sandra Oh

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Get ready to show off all your high school biology knowledge! Oh’s famous character, Cristina Yang from Grey’s Anatomy will not only be a killer Halloween costume but also highly effective as a COVID-19 safety measure. Incorporate a medical mask into your costume to stay safe.

You can also dress as her helpful principal character from The Princess Diaries or a badass teacher from Ramona and Beezus. Grab a nice shirt and a matching pencil skirt, and get ready to deal with princess drama or make a troubled little very happy.

6. Ryan Gosling

Polish up your dance routine, make sure to practice your jazz pieces on the piano, and put on your best suit and tie set to be Ryan Gosling’s famous character Sebastian "Seb" Wilder from La La Land. Let your friends know that you might break out in song at any moment and they should consider themselves warned. See if you can borrow a pair of tap shoes to complete the look.

7. Christopher Plummer

This legendary Canadian actor had a career that spanned seven decades. Who wouldn’t want to be him? His iconic role in the classic movie The Sound of Music portrayed the strict, yet caring and handsome Captain Von Trapp. For this look, you will need a dashing suit, fit for a captain, and either a guitar or a whistle, depending on whether you want to be the strict or caring side of the Captain. Finally, you will need seven children. The latter is usually hard to find, but you could always substitute them with pets, plushies, or potatoes.

8. Rachel McAdams

Grab any pink piece of clothing you own, we’re going shopping! Channel your inner spoiled, popular high schooler by putting together a jarringly pink and undoubtedly uncomfortable outfit. Rachel McAdams’ iconic Regina George character from Mean Girls is sure to make people recognize who you’re dressed up as instantly. This evil genius not only bossed the crew around but wreaked havoc when things didn’t go according to her plan. Get ready for the “spring fling” like it’s your Olympics. Have you started training yet?

9. Michael J. Fox

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Maybe the future will get better? It is no secret that the Back to the Future movies are staples in movie history. Become Michael J. Fox’s legendary character Marty McFly and get ready to travel. All you need is a pair of jeans, some layered shirts, a confused look on your face, possibly your passport and proof of vaccination to be able to travel, and a puffy vest to top it all off; the perfect outfit for a Canadian fall.

10. Tommy Chong

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Tommy Chong’s character Leo from That 70s Show is possibly the perfect Halloween costume. Grow out your hair and beard and find a 70s closet you can invade. You will need a lot of denim clothing. Truly let your weird side shine with this character. Share your hippie-era stoner wisdom with the people around you, and the worthy will listen.

These classic characters make for great Halloween costumes. Whether you have all the time in the world to put together the perfect outfit or you want to use what you already have and create a last-minute costume, these characters will get you recognized by all trick-or-treaters. Don’t be scared of modifying these costumes to fit your style, comfort, and our Canadian weather. Happy Halloween!

5 Canadian films to get you in the holiday spirit

By Nadia Brophy

It’s that time of year again - the one that gets you seated by a warm fireplace, curled up in a blanket with hot cocoa in hand, eyes glued to the TV screen. Ladies and gentleman, it’s Christmas time, and I’d like to gift you with a curated list of some Canadian holiday favourites to get you in the mood for celebrating this special season.

1.     Coming Home for Christmas (2017)

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Nothing quite beats the feeling of flicking on the Hallmark Channel at this time of year and immersing oneself in a feel-good Christmas romance. In doing so, you may come across Coming Home for Christmas, a romantic comedy following the complicated love life of Lizzie Richfield, a house manager for an estate in Virginia. The film focuses on Lizzie’s task in planning a Christmas Eve gala before the estate is sold. During this time, she finds herself caught up in the life of Robert Marley, a member of the family who owns the estate, as she begins to fall for him while also being pursued by Robert’s brother Kip. If you’re not a huge fan of keeping up with complicated love triangles, I urge you to still give the film a chance simply for its beautiful Canadian scenery. Despite being a dual American-Canadian production, all of the scenes in Coming Home for Christmas were filmed in picturesque British Columbia. Canadians from the west will recognize the towns and landscapes of Abbotsford and Langley, B.C., which bear striking resemblance to the intricate Christmas village sets that occupy our mantles during this season.

2.     The Man Who Invented Christmas (2017)

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Romance is all good and fun, but perhaps you’d prefer to indulge in a bit of Christmas history. How about a biopic drama about one of the season’s most beloved authors, Charles Dickens, portrayed by Downton Abbey star Dan Stevens in the Irish-Canadian production The Man Who Invented Christmas. This film chronicles the author’s true story of emergence from financial difficulty after he publishes three novels that fail to gain success in England’s literary scene. After gaining some new-found inspiration, Dickens sets his focus on writing the renowned story of Ebenezer Scrooge and the ghosts of Christmas past, present and future, A Christmas Carol. What arguably makes the film most intriguing is watching Dickens’ characters come to life as he writes them into existence. The audience is treated to humorous interactions between the author and the infamous humbug played by Canada’s own Christopher Plummer. The film’s score was written by Canadian composer Mychael Danna and features a series of ambient orchestral works that emulate the feeling of waking up on a snowy Christmas morning.

3. The Nutcracker Prince (1990)

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I think we can all agree that there’s something very special about watching animated films during this season. Perhaps it’s the giddy child in us that grew up watching The Grinch and A Charlie Brown Christmas on repeat leading up to Christmas day. If you’re looking to feel that childlike excitement again, The Nutcracker Prince will surely fulfill that desire. Based on the classic story The Nutcracker and the Mouse King by E.T.A Hoffmann, the Canadian animated fantasy tells the tale of a young man - voiced by Canadian actor Kiefer Sutherland - who has been cursed to live his life as a nutcracker doll gifted to a girl named Clara on Christmas Eve. When Clara finds out that the curse can be broken if the Nutcracker defeats the sinister Mouse King responsible for the curse and wins the heart of a maiden, she embarks on a fantastical journey to help her special toy become his true self once more. Part of her journey leads her to be shrunken down and transported through the Land of Dolls where Christmas is brought to life on screen through images of elegant white swans, massive evergreen forests and a towering candy palace. If you haven’t already been convinced to add this enchanting film to your Christmas to-watch list, it is also accompanied by the famed music from The Nutcracker ballet, a classic seasonal production that follows the same story.

4. The Legend of Frosty the Snowman (2005)

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Yes, you did read that right - the ever-classic The Legend of Frosty the Snowman does indeed fall under the category of Canadiana Christmas. While the film was, in fact, a co-production between America and Canada, part of the animated tale was created by former Vancouver-based animation company Studio B Productions. The film also features the voice talents of Tara Strong, a Toronto native whose work includes Rugrats, Powerpuff Girls and Fairly Odd Parents. This classic animated fantasy is set in the fictional town of Evergreen, where children are forced to abide by a strict curfew and told not to participate in any fun activities. But that all begins to change when a black top hat escapes from a mysterious trunk that has been locked away in an attic for years and gives life to the most fun-filled presence of all - Frosty the Snowman. The magical character quickly wins over the hearts of the children in Evergreen as he encourages them to enjoy the winter season while it lasts. The plot begins to take a wicked turn when an antagonizing force leads Frosty to his demise and steals his hat in an effort to keep the town absent of fun. But that doesn’t stop the children of Evergreen from embarking on a quest to reclaim their snowy companion’s hat in an effort to restore the spirit of magic in their somber town.

5. Silent Night (2002)

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When looking for films to get us ready for this joyful holiday, we traditionally wouldn’t reach for a dark flick with intense subject matter. But for those of us who are looking for a little more depth and substance in our films - still keeping with the spirit of Christmas, of course - can turn to Silent Night, a fact-based story set on Christmas Eve during World War II. The film follows a German woman and her son who attempt to escape the dangers of war by fleeing to an isolated cabin in the Ardennes forest. It is not long before their cabin is invaded by groups of American soldiers and their German enemies. The interaction would have ended in a bloodbath if it weren’t for the mother who, after much struggle, is able to convince the German soldiers to set aside their contentions with the Americans and partake in a Christmas Eve dinner together. The soldiers eventually build unlikely friendships that supersede the tension that once existed between them. While I wouldn’t list Silent Night under the ‘feel-good’ category we’re all familiar with during the holidays, I would nevertheless label it a film that captures the spirit of Christmas in bringing people together to celebrate the season.

22 Blockbusters You Never Knew Were Filmed in Canada

By Brent Smyth

While Canada may not have its own version of Hollywood, many blockbusters choose their northern neighbours to film key scenes and even entire movies! Whether to save money or the incredible scenery, here are the top 22 films to have been shot in Canada, and just wait for 16 and 21.

#1- Titanic (1997)

During the true sinking of the Titanic in 1912, Halifax was the closest port to the catastrophe, and the first to receive the distress signal. The ocean scenes in the film, which was in 1997 the most successful of all time- were shot near where the 1912 event occurred. In Halifax today over 100 victims of the sinking are buried near the port.

Twilight.jpg

#2- Twilight (2008)

Forks High School in the Twilight films in real life is the David Fraser Secondary School in Vancouver. Throughout the Lower Mainland and Vancouver play host to the setting in three of the four movies in the series.

(The Hollywood Reporter)

(The Hollywood Reporter)

#3- Good Will Hunting (1997)

Shot in only five months, this movie was created in Boston and Toronto, and all the movie’s famous classroom scenes were filmed at the University of Toronto and Central Technical School, not Harvard and MIT.

interstellar.jpg

#4- Interstellar (2014)

While a solid ¾ of the film is in space, the initial farm scenes and opening locations are all found in Alberta. Including Calgary, Canmore, Okotoks, Fort Macleod and outlying areas.

(MTV UK)

(MTV UK)

#5- Mean Girls (2004)

Set in Illinois, a majority of the movie was shot in Toronto at Malvern Collegiate Institute and Etobicoke Collegiate Institute, and the famous Jungle mall scene was shot in Etobicoke, in Sherway Gardens.

Inception.jpg

#6- Inception (2010)

Truly a movie of international locations, inception takes place in England, Morocco and France. However the Fortress Mountain Ski Resort in the Canadian Rockies at Kananaskis, just outside of Calgary served as the snowy mountain fortress sequence, the deepest dream level.

(Rolling Stone)

(Rolling Stone)

#7- Billy Madison (1995)

Sandler’s character in the film progresses through all the grades of school, and the movie itself progresses through quite a few locations in Toronto, including Northern Secondary School, John Ross Robertson Junior Public School, the Parkwood Estate in Oshawa and several other locations around Toronto, Oshawa and Stouffville.

#8- Blades of Glory (2007)

Putting the city’s Olympic history to use, the film used the Montreal Olympic Stadium for the outdoor skating scenes, and the movie’s signature chase scene was shot in Montreal’s Olympic Village.

(El Parana)

(El Parana)

#9- IT (2017)

The remake of Stephen King’s clown horror finds its home in Port Hope, Ont. The local Queen Street Tattoo parlour was transformed to Derry Ice Cream for the film.

(Pop Geeks)

(Pop Geeks)

#10- The Incredible Hulk (2008)

Seemingly filmed in New York City, for four nights in downtown Toronto Yonge Street was closed for filming. And because of how accommodating Toronto’s mayor at the time had been, the Eaton Centre and the University of Toronto also play a role in the film.

(Mental Floss)

(Mental Floss)

#11- Catch Me If You Can (2002)

Instead of flying to France for the European scenes, film crews travelled to Montreal and Quebec City to avoid breaking the bank while still getting the european feel.

(Nerdist)

(Nerdist)

#12- The Neverending Story (1984)

Although most of the movie was shot in Germany, the alleyway Bastian finds himself chased into is Vancouver’s Blood Alley in Gastown. And at the very end of the movie, Flying Luck Dragon Falcor does a Vancouver fly-by.

(Time Out)

(Time Out)

#13- Capote (2005)

It may have been set in the flatlands of Kansas, but Capote was instead shot in Winnipeg and Selkirk, Manitoba. Some notable sites to see are the Manitoba Legislative Building, Gilbart’s Funeral Home and Stony Mountain Institution, which plays a prominent role in the film.

(Mental Floss)

(Mental Floss)

#14- My Big Fat Greek Wedding (2002)

Starring Canadian actress Nia Vardalos, the film may have been set in Chicago, but the filming didn't draw Vardalos far from home. A number of downtown spots including Toronto’s Greek Town played home to the film.

(The Telegraph)

(The Telegraph)

#15- Brokeback Mountain (2005)

Although set in Wyoming, it is clear the Canadian Rockies are the breathtaking backdrop seen in the film. Sites where the filming actually took place include Calgary, Elbow Falls, Cowley and Fort Macleod.

(The Ace Black Blog)

(The Ace Black Blog)

#16- Chicago (2002)

Iconic Toronto locales such as Osgoode Hall, Queen’s Park, Elgin Theatre and Union Station all had roles in the film, and Toronto has frequently played the part of Chicago in blockbuster films, and this musical was no exception.

(Addicted2Success)

(Addicted2Success)

#17- Cool Runnings (1993)

Loosely based on the 1988 Jamaican national bobsled team that competed in the Olympics in Calgary, this movie stays true to its real-life counterparts and had a majority of its filmign done in Calgary.

(Hollywood Reporter)

(Hollywood Reporter)

#18- Juno (2007)

Although set in Minnesota, Juno was actually shot in various locations throughout Vancouver, Burnaby, Coquitlam and White Rock, and this American-Canadian comedy has gone down as a Canadian classic.

(Hollywood Reporter)

(Hollywood Reporter)

#19- The Day After Tomorrow (2004)

The highest-grossing Hollywood movie ever to be filmed in Canada, this American action film finds its locations in Toronto and Montreal, as well as globally in places such as Tokyo, Hawaii and Scotland.

(The Telegraph)

(The Telegraph)

#20- Total Recall (2012)

Using the aid of CGI, Guelph, Ont. was converted into a post-apocalyptic London, and Toronto location such as the  University of Toronto’s Scarborough Campus and Roy Thomson Hall stood in for stations within the planet’s internal transit system, The Fall. Total Recall remains one of the largest budget films shot in Toronto.

(PLay

(PLay

#21- American Psycho (2000)

Considering the word ‘American’ is in the title, don't be alarmed when it is revealed Bateman’s office is in the TD Centre, serving as a substitute for the Seagram Building in New York City, which were both designed by architect Mies Van der Rohe. Additionally, The Phoenix Concert Theatre, The King Edward Hotel’s Consort Bar, The Senator diner and several more of the city’s now-defunct restaurants and clubs played host to Patrick Bateman and his friends on film.

(The Telegraph)

(The Telegraph)

#22- The Revenant (2015)

Shot in Alberta, the winter it was being filmed proved difficult for the crew, as the snow started to melt before production was complete. This forced the final fight scene in the film to be shot in Argentina. Also due to the odd winter, Burnaby, B.C. was used for a few scenes.

Top Canadian Oscar Winners

Oscar-season is officially over and this year brought Canada's fair share of homegrown nominees. Let's take a look back through the history of the Academy Awards to look at Canada's most notable winners. 

1. Mary Pickford

pickford.jpeg

Mary Pickford of Toronto won the second Best Actress award in Oscar history (however the first award for an actress in a talkie) for the 1929 film, Coquette. Although Pickford retired shortly after from acting in 1933, she would receive an honorary Oscar at the 1976 Academy Awards for her contributions to the world of film.

2. James Cameron

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For producing the (then) highest-grossing film of all-time, James Cameron won Best Picture, Best Director and Film Editing in 1997 for Titanic, which earned a record-breaking total of 11 Oscars.  

3. Norma Shearer and Marie Dressler

Complex.com

Complex.com

Continuing the trend of Canadian actresses dominating the early Oscars ceremonies, French-Canadian actress Norma Shearer won the Best Actress award at the third Academy Awards for the 1930 film, The Divorcee. Canada’s Marie Dressler then won the Best Actress award for her performance in the 1930 film, Min and Bill at the fourth Academy Awards.

4. Harold Russell

Complex.com

Complex.com

Despite being a disabled World War II veteran, Nova Scotia-born Harold Russell featured in the 1946 film The Best Years of Our Lives, for which he claimed the Best Supporting Actor award. Russell lost both of his hands in combat, and received a second Oscar that night for ''bringing aid and comfort to disabled veterans through the medium of motion pictures.''

5. Norman Jewison

Complex.com

Complex.com

Through the years, Jewsion’s films have won 12 Oscars- including Best Picture in 1967 for In the Heat of the Night, and have been nominated for a total of 45. He himself has been honoured as a seven-time Oscar nominee, and in 1999 received the prestigious Irving Thalberg Award at the Oscars.

6. Christopher Plummer

Complex.com

Complex.com

Known for his iconic role as Captain Von Trapp in The Sound of Music, Plummer won his first Oscar in 2012. He received a standing ovation when he won Best Supporting Actor award in the independent film, Beginners. The then 82-year-old was the oldest person to have ever won an Oscar.

7. Walter Huston

Complex.com

Complex.com

Playing a wounded ship’s captain in Humphrey Bogart’s 1948 film, The Treasure of the Sierra Madre, Toronto-born Walter Huston won the Best Supporting Actor award. His son John won Best Director that year for the same film.

8. Anna Paquin

Complex.com

Complex.com

Making her debut performance at just age 11, Winnipeg-born actress Anna Paquin picked up her Best Supporting Actress award for the 1993 film The Piano. That night Paquin became the second-youngest Oscar winner of all time.

9. Denys Arcand

Complex.com

Complex.com

Arcand is the only French-Canadian director in history to take home an Oscar, along with being nominated three times, all in the Best Foreign Film category. He was nominated for The Decline Of The American Empire in 1986, Jesus Of Montreal in 1989 and won in 2004 for The Barbarian Invasions

10. Paul Haggis

Complex.com

Complex.com

Haggis became the first screenwriter to write two Best Film Oscars back-to-back- Million Dollar Baby and Crash in 2004 and 2005- the latter of which he directed. For Crash, he won Academy Awards for Best Picture and Best Original Screenplay.