Amber-Dawn Bear Robe curates Fashion Art Toronto’s Thursday night show with three Indigenous designers

A look from Mobilize Waskawewin by Dusty Legrande.
By Charlene Esquivel
Fashion Art Toronto (FAT) returned this season with a culmination of innovative runway shows, art exhibitions and multimedia installations. FAT kicked off its opening night with a show curated by Amber-Dawn Bear Robe from the Siksika Nation.
Bear Robe is a curator and fashion show director who specializes in contemporary Indigenous fashion through her work. Her shows highlight Indigenous fashion as a story of identity, knowledge, expression and social activism.
The lights dimmed as the first show of the season shifts the ambience with the rhythmic beating of drums and the sound of rippling water. The spotlights turned on while the models entered in sync with the audio. This staged atmosphere starts the night off strong, setting the tone for a show filled with Indigenous cultural narratives.
Mobilize Waskawewin
(Charlene Esquivel/CanCulture Magazine)
Among over 40 Canadian designers, Mobilize Waskawewin by Nehiyaw designer Dusty LeGrande opened the night with a combination of performance and design. Mobile Waskawewin is a streetwear brand and movement based on community collaboration. It paves representation for Indigenous peoples to empower, educate and reclaim identity.
Ayimach_Horizons
(Charlene Esquivel/CanCulture Magazine)
Ayimach_Horizons by Jason Baerg, who is a Cree-Metis educator and visual artist, has been featured in Vogue, Toronto Star and Elle Canada. The brand is committed to sustainability and social responsibility, maintaining their connection to the planet. Ayimach_Horizons presented timeless designs, defined colour-blocking and geometric shapes to the FAT audience.
Jontay Kahm
(Charlene Esquivel/CanCulture Magazine)
Another Vogue-featured artist, Jontay Kahm, who is a Plains Cree designer from the Mosquito First Nation, closed the show. Many of his pieces demonstrated fluid forms complimented by diverse textures and materials. From beaded structures to feathered neck pieces, Kahm creates a theatrical statement through his pieces.




















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