Highlights from day two epitomize the power of the youth
By Sena Law
Fashion Art Toronto (FAT) needs no introduction. Officiality aside, FAT has been setting the much-needed stage for a fashion week in Toronto bi-annually for 18 years now. The 2024 Fall/Winter season of FAT saw a new venue at T3 Bayside and though the iconic Black Creek Assembly venue is no longer home to the runway, the industrial diversion and relocation to central downtown might be a pleasant change of scenery for some of those in attendance. Still, the four-day multi-arts event continues to prove itself to be a splendidly-produced display of local and international fashion.
Noticeably increasing in recent seasons is FAT’s attention to the younger generation, a shift prevalent in both the designers they showcase and the faces seen sitting along the runway. On the Friday, Nov. 15 show, in particular, was an overwhelming amount of youth-led projects and debut collections from young designers — indicative of the shifting dynamics within the participants of Toronto’s fashion landscape.
Here are the highlights:
TMU Triple Threat
As a collaboration between Toronto Metropolitan University, Toronto Fashion Incubator and FAT, the student-led showcase kicked off the Friday show. The entire ordeal was organized by students in a fashion events and planning course at TMU, who decided on the themes of creation, growth and renewal.
The runway collection was the combined effort of four TMU fashion alumni designers, whom each put together a number of looks that were cohesive to the themes.
The stand outs here were the collections from Audrey Chen and Serena Li. Chen, who was featured in another collaboration between FAT and TMU fashion at F/W 23 returns with a brilliant take on modular garment designs. Her emphasis for fluidity and adaptability is reflected in the pieces that puzzle together by snaps and buttons — done meticulously by Chen and materialized in a neat collection of subversive wear.
Li’s collection shares a similar cohesion. A homage to technology in fashion, Li took to the runway a collection of technical apparels and outer-wears. Functionality and aesthetic share a perfect harmony, evident by collar shirts paired with drawstringed-wind pants. Li’s collection can and should be regarded in the same light as technical apparel giants like Hyein Seo and Post Archive Faction.
TMU Fashion
Not to be confused with the previously mentioned Triple Threat, the TMU Fashion show features looks from 19 student and alumni designers and marks the second collaboration between TMU Fashion and FAT, following the first installment at F/W 23.
Each designer presented two to three looks. Ethan Cordner kicked off the show with three looks that set the impressive tone for the rest of the collections.
The incredibly talented 19 year-old is also the mastermind behind Distorted Wardrobe. What sets Cordner apart is his brilliantly established brand identity — Cordner’s work stands out not only in its distinctive punk-influenced aesthetic, but in its craftsmanship — often distressed and generously embellished.
Sagradesa
Sagradesa, founded by TMU fashion alum Maxime Chercover, is rooted in sustainability and an intent to slow down fashion. The entire collection is made from “reclaimed textiles” which refers to pre-loved, or non-virgin textiles, as explained on the brand’s website. The misconception that sustainable garment-production puts aesthetics, or the capacity for complex designs, in jeopardy is put to rest by Chercover’s sublime display of both objectives.
The intricacy in Sagradesa’s collection is not done justice by the mere few minutes these pieces don the runway. Elegance and strength are themes consistent throughout the pieces, from the meticulous handling of lace, to the manipulation of pleats and masterful corsetry — the collection is a reflection of the versatility not only in womenswear, but in femininity. Chercover’s collection simultaneously celebrates earth, her hispanic heritage and the divine feminine.
Mr. Krater
Costa and Sophia Dumitras are the dynamic sibling duo behind Mr. Krater. Krater’s collection is distinctive in the balance between its edginess and playfulness.
The collection features many leather and fur garments with plenty of accessorizing, often androgynous and rowdy in nature.
A punk influence is quite prevalent but many looks are contemporized by the inclusion of more formal pieces, making for a captivating contrast. Mr. Krater is undefined and experimental, much like the spunky pair, boundless and youthful.
Amatus Gray
Freshly debuted at Rchive Fashion Club this summer, Amatus Gray is designer Michael Angelo’s namesake brand after his mother.
The industrialist inspiration in Angelo’s collection is prevalent, taking after avant-grade predecessors like Rick Owens, Yohji Yamamoto and Maison Margiela. The monochromatic collection accentuates silver hardware, its incredible construction and craftsmanship are hard to dismiss.
The non-conformist attitude behind Amatus Gray emanates from its garments. Much anticipation should be had for Angelo and his brand’s future endeavours.
The fashion industry is progressively being defined by the youth. The growing accessibility curated by events like Fashion Art Toronto is opening the door of potentiality for incredibly talented young designers. As with all things else, the fashion landscape is ever-evolving with no plans of stagnancy. One thing is for certain, the trajectory of Toronto fashion largely lies in the hands of our generation — and there is much to look forward to as blossoming artists take it upon themselves to be extensions of this growing and animated creative entity.
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